Use the uploaded profile picture as the ONLY identity reference. Create a hyper-realistic live-action ultra-wide ground-level action photo of the same person in an explosive sprint-start pose, captured at the exact split second before they launch forward with full power. Core pose intention: This is not a casual crouch. This is not a fashion squat. This is not a pose for the camera. The body must look fully loaded for a sprint, like the person is about to explode forward in the next instant. Camera and perspective: Use an ultra-wide phone-lens perspective. The camera is extremely low, around 20–35 cm above the ground, almost touching the road surface. The camera is extremely close to the subject, about 0.4–0.8 meters from the front foot. The camera looks upward and diagonally across the body. Use a dynamic Dutch tilt of about 15–25 degrees. The perspective must create strong lens distortion: the nearest shoe looks very large, the nearest hand also looks enlarged, and the face sits farther back in space. Body position: The whole body is compressed like a spring. The torso leans aggressively forward. The hips stay low. The spine angles forward in a strong acceleration line. The pose must feel tense, athletic, and forceful. Legs: One leg is planted forward very close to the camera. That front shoe is the closest object in the frame and appears huge due to perspective. The front knee is sharply bent. The other leg is tucked behind and bent like a loaded push-off leg, ready to drive the whole body forward. Arms: One arm reaches forward toward the camera in the foreground, with the hand open and active, fingers naturally spread. This forward hand is very close to the lens and appears enlarged. The other arm extends strongly backward and outward behind the body like a sprint counterbalance arm, not casually floating. Head, eyes, and face direction: The person is NOT looking at the camera. The person is looking forward in the direction they are about to sprint. Their gaze is focused ahead, slightly downward or toward the road ahead, with intense concentration. The head is lowered slightly in a runner’s launch position. The face may be partially framed by the hair, but the eyes and face must still be visible enough to preserve identity. The expression is serious, locked-in, and determined. Important gaze rule: No eye contact with the camera. Do not pose the face toward the viewer. Do not make it look like the subject is performing for a portrait. They must look focused on the direction of motion, as if mentally locked onto the sprint path ahead. Framing: Show the full body. Do not crop the front shoe, forward hand, head, or rear arm. The front shoe must dominate the foreground. The forward hand must be the second-closest object. The head and torso sit farther back. The body should run diagonally through the frame for maximum energy. Environment: Outdoor roadside urban setting in bright daylight. Clear blue sky. Strong sunlight. Realistic shadows. Concrete curb or pavement in foreground. Road markings visible. Metal railings, building edges, and open street space in background. The setting should feel like a real phone photo taken outdoors. Style: Realistic live-action photography only. Shot like an ultra-wide iPhone action photo. Crisp daylight. High detail. Slight lens distortion. Strong foreground exaggeration. Natural skin texture. Realistic fabric folds. No illustration. No anime rendering. No painting. No 3D render. Wardrobe: Sporty streetwear or athletic fashion. Loose track jacket or sporty oversized top. Loose black pants or track pants. Sneakers. Optional headphones or subtle techwear accessory only if it fits the look. Identity preservation: Preserve the uploaded person’s facial structure, eye shape, nose, lips, jawline, skin tone, and overall recognizable likeness. Do not turn them into a different person. Do not beautify too much. Keep the person clearly recognizable. Final result: A dramatic ultra-wide ground-level action portrait of the uploaded person in a true pre-sprint launch stance, with the front shoe closest to the lens, one hand reaching forward near the camera, the other arm extended backward, the body fully loaded with acceleration, and the subject looking forward in the sprint direction instead of looking at the camera.